artist

contact: post@theresaschnell.de
portrait/interview by Irène Mélix (2020):

2017-2021 Cusanus Hochschule, Master of Arts: Ökonomie und Gesellschaftsgestaltung
2011-2017 Academy of Fine Arts Dresden with Prof. Ulrike Grossarth
2013-2017 Technical University Dresden, Bachelor of Sciences in Economics
2015 Royal Academy of Art Copenhagen with Prof. Nils Norman
2009/10 Social Service, Santa Cruz (Bolivia)
2009 Abitur

exhibitions (selection)
2021
Stages for Desires/Bühnen für Begehren as team5 @ Glocal Emotions (riesa efau, Kulturforum Dresden)
2020
Lonely hearts @ LILA-X-BATH visions for a queer community (featured by: Irène Mélix, Gerede e.V., Dresden)
2019
publishing indigoblue/Die Veröffentlichung des Indigoblaus (Stadtmuseum, Pulsnitz)
2018
Counting Sleep (Zönotéka, Berlin)
PATCHWORK (Textile-Pavillon Moeller, Cologne)
2017
Lilac Pop (featured by Die Blaue Distanz, Dresden)
Diploma (Academy of Fine Arts, Dresden)
THE PATTERN SHOW, patterned collective + pattern//select (Handstand und Moral, Leipzig, Germany)
The new is coming soon…sagte die Ruine im Gehen (EX14, Dresden)
2016
PRO or CONTRA, (Halle an der Saale, Germany)
Walks – Greetings from Dresden (Dresden)
conference WORK/STRIKE (Academy of Fine Arts Dresden)
Grenzgängerin (transnational newspaper, Dresden/Wroclaw)
2015
Smoke through walls (Dresden)
Performing the Black Mountain Archive (Hamburger Bahnhof, Berlin)
2013
Rubbing Against Architecture (Summerschool of the GfLK/Halle Süd, Bad Tölz, Germany)

projects, texts & talks
2021
IMAGE OFF TRADE ON together with Sophie Lindner and Martin Wiesinger
2020
introduction for »Korrespondenzen« – Die Dokumentation zu LUX19: Frauenarbeit”, published by GEDOK Mitteldeutschland e.V.
2019
communicating tubes (talk and presentation of drawings at the research workshop “Bildlichkeit in der Ökonomie” of the Institute for Economy, Cusanus Hochschule)
publishing indigoblue (concept and realization)
sharing blue (public discussion and vizualisation, Pulsnitz)
2018
dyeing blue (lecture performance & talk at the Summerschool, Cusanus Hochschule, Germany)
Wie viel Geld braucht die Kunst? (lecture and panel discussion, Speyer)
2017
Käthe Kollwitz, Künstlerin (concept and moderation of a panel discussion in collaboration with Franzsika Goralski for Herbert-Wehnerwerk at Kupferstichkabinett, Dresden)
Gorbitz goes Pulsnitz (workshop together with Anna Schapiro & the dyeing workshop Thieme for Kunsthaus Dresden)
(political) speach for female artists with Jella Jost (development & cordination together with Franziska Goralski, cooperating with the Herbert-Wehnerwerk, Dresden)
lost Places/placed Histories (concept and moderation of a travel-, research-, and exhibition project in collaboration with the Institut für sächsische Kulturgeschichte (ISGV) and the Brücke/Most-Foundation Dresden)
a rehearsal of alienation (talk at the symposium „Staging Boarders – (de-)constructions in science and arts”, ISGV at Festspielhaus Hellerau, Dresden)
2016
the allegory of freedom (teaching/workshop at the Summerschool, Cusanus Hochschule, Germany)
dyeing blue (lecture performance, Mittelherwigsdorf, Germany)

collaboration
since 2020
picturing & imagining economies mit Martin Wiesinger and Sophie Lindner
since 2018
Anne de Walmont, Benjamin Thomas
since 2016
patterned collective (with Lilli Döscher, Irène Mélix und Anne Reiter)
Blaudruckerei Thieme (Cordula Reppe)
patterned collective (with Lilli Döscher, Irène Mélix und Anne Reiter)
since 2015
CindyCat
Studies of the Talmud with Marion Kahnemann (together with Prof.in Ulrike Grossarth, Lilli Döscher, Franziska Goralski, Peter Krüger, Sophie Lindner, Irène Mélix, Anne Reiter, Jakoba Schönbrodt-Rühl, Benjamin Thomas, Martin Wiesinger)
team2 (with Irène Mélix)